Tracks: Historic Billboard Performance vs. 2014 Spotify Plays

FIND A TRACK :

Examples: Celine Dion, Elton John, Led Zeppelin, Billy Joel, The Doors, Frank Sinatra, Etta James

ALL SONGS

WON GRAMMY (SONG/RECORD)

PEAKED AT BILLBOARD #1

00s

90s

80s

70s

60s

50s

SPOTIFY PLAYCOUNTS

8,000,000

16,000,000

22,000,000

38,000,000

46,000,000

54,000,000

Larger circle indicates track's billboard performance at time of release

Nirvana, Smells Like Teen Spirit

Billboard yearly rank:

#42 of 385, 1991

LOWER BILLBOARD RANK,
BUT HIGH ON SPOTIFY

BEST CHART PERFORMANCE IN '91,
BUT NOT AS POPULAR TODAY ON SPOTIFY

For songs released in 1991, these are the top 5 songs on Spotify:

TRACK

SPOTIFY PLAYCOUNTS

PEAK BILLBOARD POSITION

BILLBOARD YEARLY RANK*

1.

Smells Like Teen Spirit — Nirvana, 1991

50,657,282

#6 OF 100

#42 OF 385, 1991

2.

Enter Sandman — Metallica, 1998

29,167,354

#16

#126 OF 385, 1991

3.

Losing My Religion — R.E.M., 1991

22,567,389

#4

#51 OF 385, 1991

4.

The Unforgiven — Metallica, 1991

21,402,269

#35

#162 OF 385, 1991

5.

Wind of Change — Scorpions, 1991

14,543,876

#4

#52 OF 385, 1991

*Highest Position on Billboard Hot 100/Number of Weeks at highest/Number of weeks in Top 10, Top 40, Top 100.

Time travel back to 1991, and countless songs were more popular: End Of The Road (Boyz II Men), Baby Got Back (Sir Mix Alot), Save The Best For Last (Vanessa Williams), and I'm Too Sexy (Right Said Fred). In 1991, no one would reasonably believe Smells Like Teen Spirit would be the cultural touchstone of the 1990s.

It’s not just 90s music – it’s every decade. Our biggest stars, against all odds, often fade from culture.

In 1961, Bobby Lewis’s Tossin’ and Turnin’ spent 7 weeks at #1. For all intents and purposes, Bobby Lewis was the Beyonce of 1961. Yet, have you heard of it? Do you know who Bobby Lewis is?

Bobby Lewis had Beyonce-level fame in 1961. Should you know him?

Meanwhile, Etta James’ debut album dropped the same year, with At Last peaking on Billboard at #68. Music historians will regard Bobby Lewis as a pioneer in rock and roll and R&B, yet whatever led to Tossin’ and Turnin’s popularity in 1961 has faded over time. His music, for countless reasons, didn’t persevere in the same way as Etta James’.

Tracks: Bobby Lewis and Etta James' Billboard and Spotify Rank

FIND A TRACK :

Examples: Celine Dion, Elton John, Led Zeppelin, Billy Joel, The Doors, Frank Sinatra, Etta James

ALL SONGS

WON GRAMMY (SONG/RECORD)

PEAKED AT BILLBOARD #1

00s

90s

80s

70s

60s

50s

SPOTIFY PLAYCOUNTS

8,000,000

16,000,000

22,000,000

38,000,000

46,000,000

54,000,000

Larger circle indicates track's billboard performance at time of release

AT LAST,
BY ETTA JAMES

If you grew up in the 60s, Paul McCartney is a fucking god. So is Bobby Lewis. And The Beach Boys. And Van Morrison. And the Rolling Stones. It’s an endless list of artists who represent the formative years of our youth. We can’t expect future generations to remember every successful musician.

I can't name more than 3 artists from the 1940s. Consider any Paul McCartney-equivalent of the 40s, like Bing Crosby, and I can’t name one of his songs (excluding Christmas albums).

For most successful artists, time is unkind. We laud their albums with Grammys, perfect reviews, and platinum/gold certification. Yet, it's far more noteworthy to survive five decades.

That's a feat only a few artists can accomplish. For a track that charted on Billboard during the 1970s, 75% have fewer than 500,000 plays today. Essentially, zero cultural relevance. For context, the top 10 songs from 1960s on Spotify all have well above 15 million plays. It’s a power law– a big drop-off once you're outside the top.

Songs from 1961: Billboard Yearly Rank and Spotify Plays in 2014

Spotify Plays

Billboard Yearly Rank in 1961

After 50 years, historical popularity doesn't really matter...

I look at today’s biggest stars – Beyonce, Drake, Taylor Swift – I can’t imagine a world without them. But there’s some reality, 50 years from now, where Drake has the same fate as Bobby Lewis, and some underground artist, like Lana Del Rey, unexpectedly represents 2010s pop music.

This pattern exists in every medium: books, movies, art, etc. Neil Gaiman was once asked how it’s possible that "50 Shades of Grey has sold more copies than the number of books Ray Bradbury sold in his lifetime.”

His response:

But when their day is done, mostly those kind of books drift back into the void, and go, if not out of print, then back into a world where nobody quite knows why they sold that many copies any more. (Do you know who Gilbert Patten was? He sold about 500 million books in his lifetime…)

Meanwhile, Ray Bradbury sold quite a lot of books in 1956, and quite a lot of books in 2006 (Fahrenheit 451 alone has sold over 5 million copies), and he found his readers for his books and his stories in every year. And I’ll wager a hundred years from now he’ll still be read…

99% of culture will fade. I can’t lament the youth’s disregard for my favorite artists. It’s no slight that they aren’t remembered. Maybe I’m arrogant about the respect that they deserve. Perhaps I’m wrong about these songs. Perhaps they weren't classics after all. At least time thinks so.